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Whore dialogues
Whore dialogues are a literary genre of the Renaissance and the Enlightenment and a type of erotic fiction. The first example was the ''Ragionamenti'' by Pietro Aretino, followed by such works as ''La Retorica delle Puttane'' (''The Whore's Rhetoric'') (1642) by Ferrante Pallavicino; ''L'Ecole des Filles'' (The School for Girls) (1655), attributed to Michel Millot and Jean L'Ange and also known as ''The School of Venus''; ''The Dialogues of Luisa Sigea'' (c. 1660) by Nicolas Chorier—known also as ''A Dialogue between a Married Woman and a Maid'' in various editions. Such works typically concerned the sexual education of a naive younger woman by an experienced older woman and often included elements of philosophising, medical folklore, satire and anti-clericalism. The later works in this genre, such as that by Chorier, indulge in a more sophisticated type of sexual fantasy and are the precursors of the more explicit pornography which followed in Europe.〔Phyllis and Eberhard Kronhausen (1969) ''Erotic Fantasies: a study of the sexual imagination''. New York, Grove Press; pp. 7-8〕〔Patrick J. Kearney (1982)'' A History of Erotic Literature''. Parragon: 34-46〕
==Individual works==
In Aretino's ''Ragionamenti'' the sex lives of wives, whores and nuns are compared and contrasted.〔Hyde (1964); p. 76〕〔Ian Frederick Moulton, ''Before Pornography: erotic writing in Early Modern England'' (Studies in the History of Sexuality.) Oxford: Oxford University Press, 2004, ISBN 0-19-517982-X, p.130〕 Later works in the same genre include ''La Retorica delle Puttane'' (''The Whore's Rhetoric'') (1642) by Ferrante Pallavicino;〔Wendy Beth Heller, ''Emblems of Eloquence: opera and women's voices in seventeenth-century Venice'', Berkeley: University of California Press, 2003, ISBN 0-520-20933-8, p. 75〕〔James Turner, ''Libertines and Radicals in Early Modern London: sexuality, politics, and literary culture, 1630-1685''. Cambridge: Cambridge University Press, 2002, ISBN 0-521-78279-1, p.3〕 ''L'Ecole des Filles'' (The school for girls) (1655), attributed to Michel Millot and Jean L'Ange.〔Mitchell Greenberg, ''Baroque Bodies: psychoanalysis and the culture of French absolutism'', Ithaca, NY: Cornell University Press, 2001, ISBN 0-8014-3807-1, pp.78-79〕〔Muchembled, (2008) p. 90〕 and ''The Dialogues of Luisa Sigea'' (c. 1660) by Nicolas Chorier.〔Sarah Toulalan, ''Imagining Sex: pornography and bodies in seventeenth-century England''. Oxford: Oxford University Press, 2007, ISBN 0-19-920914-6, p. 100〕〔Alastair J. L. Blanshard, ''Sex: Vice and Love from Antiquity to Modernity'', Chichester: John Wiley and Sons, 2010, ISBN 1-4051-2291-9, p. 51〕 Such works typically concerned the sexual education of a naive younger woman by an experienced older woman and often included elements of philosophising, satire and anti-clericalism.〔Kronhausen (1969), pp. 7-8〕 Donald Thomas has translated ''L'École des filles'', as ''The School of Venus'', (1972), described on its back cover as "both an uninhibited manual of sexual technique and an erotic masterpiece of the first order".〔The original title is ''L'escole des filles, ou: la philosophie des dames''; later editions sometimes ascribe it to M. Mililot (sic). Pascal Durand edited it in 1959.〕〔''The School of Venus'' (orig: ''L'École des filles, ou la Philosophie des dames'') by Michel Millot et Jean L'Ange (New American Library 1971) (Panther 1972) ISBN 0-586-03674-1〕 In his diary Samuel Pepys records reading and (in an often censored passage) masturbating over this work.〔Hyde (1964); p. 19〕 Chorier's ''Dialogues of Luisa Sigea'' goes a bit further than its predecessors in this genre and has the older female giving practical instruction of a lesbian nature to the younger woman plus recommending the spiritual and erotic benefits of a flogging from willing members of the holy orders.〔Muchembled (2008) p. 77〕 This work was translated into many languages under various titles, appearing in English as ''A Dialogue between a Married Woman and a Maid'' in various editions.〔Patrick J. Kearney (1982)'' A History of Erotic Literature''. Parragon: 34-46〕 ''The School of Women'' first appeared as a work in Latin entitled ''Aloisiae Sigaeae, Toletanae, Satyra sotadica de arcanis Amoris et Veneris''. This manuscript claimed that it was originally written in Spanish by Luisa Sigea de Velasco, an erudite poet and maid of honor at the court of Lisbon and was then translated into Latin by Jean or Johannes Meursius. The attribution to Sigea was a lie and Meursius was a complete fabrication; the true author was Nicolas Chorier.
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